laid down with authority by l/f/d/m are four no nonsense cuts blasting fresh air into that perennially en vogue phenomenon known as acid house. after stunning eps for glasgows prestigious optimo trax and clandestine traxx, an equally crushing full-length for kompakts ecstatic imprint, and two brain melting eps for diagonal with factory floors dominic butler as bronze teeth, it is an honor to have his sounds grace cgi with a release that sees him playing right for the heart of the dance floor.

knuggles recordings is very delighted to present moire patterns second essential play ep. the title track * get it thru* puts you right in the middle of a pumping house party. this grabbing and powerful long-playing tool with afro kick grooves and haunting vocal licks will keep your bottoms up! look out! it can knock a hole in your wall. on the flip side moire patterns is featuring special edits of tracks by two original artists: jaone and bratacas. led by a tambourine, the constantly modulating pattern of “taxanetsi brothers” drives you into a more platonic dimension of classical and balkan music. disco fashion! bratacas 029 has been selected from the diverse works of bratacas. its an elegant ambient electro-acoustic piece that makes us reminisce about the uk dnb scene of the late 90ties. or is it detroit?

deniro strikes once more on amsterdam’s fabled tape records with the penal colony. his hypnotizing sound lures in between the first waves of detroit techno and the finer bits of contemporary techno. he puts melody above power, depth over effect but proofs to maintain floor heat over and over again. being one of the participators of the imprint deniro sits right at the source and knows his home! be on the look out at your favorite dealer for lushness in silk screened covers.

bit trip ep sees the return of another well known 8bit talent - snilloc is back with a massive release! after the broad success of 800 ep, the hungarian producer now has four new tracks ready & waiting to be played out loud. these babies are made for the club & each production has a unique vibe carried through tight drums. elso & tripless are energy loaded peak time bombs, perfect when the crowd is feeling it! once you get in deep, what u like & chic le moste is exactly what you need. slow evolving groovers with just the right amount of tools - we are sure you will enjoy this quality release from start to finish as much as we do!

ant has an ultimatum! we fade out leaving you with the time honored exit-line: *if you want to know the answers please see the independent film swiss banks!* italian american rapper m.i. (constant deviants) plays pisano in the six2six records production based on the best selling novel *the swiss conspiracy*. switzerlands swc has abandoned all conventional movie styles and their music magnificently compliments the mounting dramatic impact of this most unusual story. these brilliant tracks appear as musical interludes and extended versions. recorded / filmed on location in baltimore city, washington dc and throughout europe.

now already almost a year has gone by since “inspiration”, the collaboration between jah wobble and singer pj higgins has come out on sonar kollektiv. with “chaingang (remixes)” we get a further renewal of one of the eight tracks off the album. for instance utrecht, netherlands based multi-instrumentalist and producer pitto gets down to work to morph the song into an eight-minute spheric techno extravaganza. some sort of a teaser for his upcoming album on sonar kollektiv later this year (although it will sound completely different). also releasing an album on sonar kollektiv in 2015 is producer marlow from weimar. his voodoo version of “chaingang” draws nearer to the original and incorporates the jubilee style gospel chanting to a hypnotically impelling rhythm. at the right time at the right place this remix will cause outmost frenzy on the dancefloor.

not content with a rich and flawless back catalogue of releases under a plethora of monikers such as dabrye, jtc and charles manier spanning multiple genres on a wide variety of labels such as ghostly international, rephlex amongst many others, and a career spanning 15 years, 2014 seemed like the right time to make plans to create an imprint with the aim of releasing the the rich flood of music that flows forth from tadd mullinix’s ann arbor studio. those plans have come to fruition and the first release this year is a 3 track 12” from jtc.

on his side ed bangers boss has called frances hottest producers fulgeance and dj oil. they are both representing whats happening right now in france. fulgeance could be the hidden son of the dust brothers! dj oil has been here for a long time, signed to bbe and gilles petersons favorite, he is a man we can only respect. you will surely enjoy his 7 minutes growing funk machine remix

with record store day upon us once again, quantize recordings felt it only right to unleash a killer ep to the world boasting exclusive edits from 2 of the biggest names of the scene - danny krivit & john morales.

when acid meets the groove it results in this fruity cocktail of sounds freshly concocted in the studio of alexis cabrera in venice. with the collaboration of mattia bison: this young italian producer who, after long experimentation with synthesizers and drum machines, discovered the right ingredient that give shape to the two original tracks “give the hype” and houseloide for his debut 12” vinyl release. we are proud to welcome mauricio barembuem to our label, barem’s remix for give the hype ep is warm, loopy, hypnotic and so acid as our emblematic orange kumquat fruit! for your decks!

ednic is the italian duo of nicola di gabbia and edoardo cortopassi, and by all intents and purposes, they’re an outfit that’s on to a good thing right now. the guys make quality, analog-enriched house and techno, the likes of which comes to the fore here on puas puas, a vinyl only label that’s already featured the likes of the mole, alex piccini and carola pisaturo amongst others. first up on the exceptionally refined strands of the auberste ep sis the sounds of the original, which is a barnstorming cacophony of acid flourishes and tension-filled motifs. a track that’ll keep you on the edge of your seat for some time, it features shades of old-school electro and techno, and is the sort of track that’ll definitely rescue any ailing dancefloor. the aforementioned carola pisaturo then perks up with the first of her two remixes courtesy of her brilliant ‘church’ mix. a bumping and grinding interpretation on the original, it too keeps the suspense high, most notably thanks to a dizzying array of melodies and a series of potent basslines. her ‘botta’ remix is a more stripped back affair, albeit one that still speaks to fans of discerning fare thanks to its relentless attitude. full of shiny percussion and the odd sultry vocal smidgen, it’s further indication of a producer who looks set to enjoy an excellent 2015. this is classy stuff indeed from the puas puas label.

haunting in its ardor for subdued atmospheric murk and dissipating electronic dream-pop transmissions,

introducing damien zala... the next promising young frenchman to release on hold youth. although relatively unknown, his first album *lonely happiness* received strong support from theo parrish, norm talley and luke hess amongst others. combining analogue synths and drum-machines with acoustic elements and samples from old records, the trained sound engineer is a rigorous technician aiming to create sophisticated deep house atmospheres. hold youth provide a breeding ground for open-minded and innovative music, and zalas second life ep ticks all the right boxes. exploring sounds from a broad spectrum, *ms blue* is the moody opener that creates a melange of raw minimal jazz, while the b side continues in this vein with more of an obvious off-key german micro house influence. *considered done* references the late herbie hancock, sampling his voice over a flowing piano melody and punchy bass line, while *tribute to willy simon* goes all out funky, full of brass, with a classic hip hop swagger.

33-10-3402, also known as serbian-born artist/producer nenad markovic, returns to the esp institute for the fourth and final release in his opium den and whorehouse inspired mecanica series. metamorfoze is a psychedelic melting pot which can best be described as a train commute to a distant planet—our senses confronted left, right and center by unfamiliarities. its counterpart on side b entitled t bov boasts a pseudo tribal rhythm, yet its post-apocalyptic soundscaping takes us anywhere but the expected. at this point nenad has managed to whirl our imagination into a state of confusion so deep that were simply at a loss for words. its in these moments where we at the esp institute are most proud, with the birth of something absolutely new. bravo nenad, bravo.

the combination of ron hardy, adonis & frankie knuckles on one record should make even the hardest of house heads excited. *work the box* is that said record, featuring production & mixes from all of these legendary figures in classic chicago trax fashion! experimental, spaced out, hard, minimal, raw & jacking, all words that could be applied to the 4 cuts contained here. this is the real deal, up there with the best jack tracks, direct, straight to your dome bangers with a left-field edge. %100 essential. the sound of the warehouse & the muzic box 1986 right here! repressed, remastered & re-released in conjunction with trax records for 2015.

on the leading edge of nycs underground music scene, vito ricci produced only a handful of self-­released cassettes and one lp between 1983-1985 with most of his work being recorded for experimental theatre and performance art pieces. taking their label name from vito riccis only lp, music from memory brings together a compilation of works by one of the unsung heroes of new yorks downtown music scene.

re-issue of the 1974 compilation *boggie chillun* by blues legend john lee hooker on heavyweight 180 gram double vinyl.

atjazz on local talk! pretty good combo right? well, just wait until you hear fox tooth and we re quite sure you ll agree with us that this is something above normal rank. martin iveson aka atjazz gave us a release that will work just as well on big sound systems as well as in those dark house basements. the original version is an electronic house jam that s equipped with all necessary tools in order to peak in the main room but without all the played out tech-house schemes. it s uplifting yet dark and carves a very personal groove - yum ! oh, don t miss the killer break down...big! the second version comes in the form of his inspired atjazz galaxy aart dub and this to be fair is more of a remix than a dub. here we step straight down to the darkness for a warming deep house cut that sounds like something from the prescription archives but still retaining the trademark atjazz sound. this is simply, sophisticated house music for those who like things real.

luke hess dimension.d ep is the 5th release on his own deeplabs detroit imprint. the title track dimension.d is a perfect balance between house and techno, and it contains all the right signals for becoming a future detroit classic.

apart from the rush and hype all around electronic music these days, charmly embraced by the mighty black forrest, is the center of the badnerland, good old freiburg in germany. at first it may be hard to believe that there is more than just sunshine and wine this far south, but you would be surprised by the ever growing request for electronic music in this region. so at this point it just feels right to finally come up with a strong label throughout this exciting movement, you have guessed it: solide.

limited edition of 200 copies, handstamped, vinyl only promo.
milos returns after the well recieved expressions e.p., here dropping another 2 effective dj treats!
kicking off with * work it out*, a healthy 303 backed slammer with huge sound, and classic work that mutha sample. stand out mastering from curved uk! heads down bomb!
flip for * test of time*, an enormous rave sampling, addictive dancefloor gem with a definate nod to the old skool, massive reverb effects and a thundering bass! in the right hands, this is an essential weapon!

in part 2 of the laffer ep marco bernardi is going head down, straight ahead and striving for energy. attack of the dessert stormers is an overload of dark electro power, six minutes of squirming bassline-driven movement with surges of intensity from analogue bleeps and subtle drum pattern shifts. theres no let up on the flip side where two sliders brings equal force but in a more techno style. right from the start youll be grabbed by the bassline, but this one rewards extended listening as the track develops progressively with new melodies and metallic touches taking you deeper and deeper.

m a n i k returns to ovum with in walks bourbon! a long-standing veteran of josh winks ovum imprint, the in walks bourbon ep marks maniks fifth offering to the label and maintains the high quality weve come to expect from an artist who is comfortably at the top of his game right now. the ep consists of a trio of raw, chunky, house-influenced cuts which show m a n i k diving back in to the underground sounds of his new york roots with a taste of chicago. the a side track wink kd lures the listener in with its catchy groove and hypnotic vocal sample.

swedish house hero tiger stripes steps to the barnhus with twilight – a high-octane destroyer of clubs loaded with thunderous drums and shadowy yet sweet organ melodies. the dub version strips the track right down while adding some extra crash ‘n boom before studio barnhus comrade hnny closes things out with a slow-swingin spook story recorded straight to cassette. vinyl only until further notice.

the endurance club was launched in london on friday 13th november 2009 and ran as a regular party for the next three years. the aim was to treat electronic body music as an important genre in its own right rather than just a sub genre of industrial music, whilst linking it to early house and techno, belgian new beat and synthesizer dance music in general. body party is a tribute to all those that were part of the endureance club and to the artists that made the records we danced to.

index marcel fengler unearths another berlin-forged gem with a debut release for somewhen. following an impressive pair of eps on his own sana imprint, label boss marcel fengler was quick to invite the newcomer to the imf family. following a pair of head turning performances on line-ups alongside fengler at his berghain home, the time has come for imf 05 to bring somewhens talents to wider attention.
a cut *dain* is a stripped down techno trip engineered for dancefloors at dawn: a siren call to the club’s most battle hardened heads, its subtle machinations will prove deadly in the right dj’s hands. over on the b-side, *aula* is the eps more unpredictable beast, its rougher rave edges rounded off by a rich bass synth and enigmatic vox pads that give the track an unsettling air as it nears its conclusion. xj closes the ep with an insistent slice of acid with somewhens own playful modern twist.

as we move into a new year, again start the cogs of labels and artists around the world, this is certainly the case for disc over music as they bring us their first release of 2015. high off the back of exquisite releases in 2014 from luca lozano & mr. ho and nicson, disc over’s first installment of 2015 comes from label head tim green - a three track ep bursting with two classic tg productions and grooves which is then given another dimension with a remix from the talented german born producer borrowed identity. the ep kicks off with the aptly named ‘scar’ - a track which when heard, truly makes it mark. it sets the tone for the rest of the ep with it’s prominent bassline and haunting howls whilst dreamlike keys bounce and float above. track two, ‘we thought’ is taken down a gear but keeps all of the groove built from ‘scar’. it begins with a simple trademark tg bassline and is allied with light and free singular keys. the listener is then joined by vocals which along with the previous elements take you on a real trip. borrowed identity speeds things up right away with his remix of ‘we thought’. the track is morphed into a dancefloor groove with the comforting vocals darkened, cut and reworked on top of an unpredictable and fluctuating bassline. managing to keep the identity of tim’s original the track becomes something completely different and certainly makes you feel you want to take the trip

first off, we have two brothers (convenient, right) from italy who sent us a killer demo we simply couldn t refuse: the lion brothers. up next is the true veteran: lemakuhlar, who s finally back with a fresh dose of his awesome music. this one s a real gem, finally available after spending many years as an exclusive in maxim s sets. audio city soul is the new alter ego of one of our favourite artists, who s ready to take it to the next level. last but not least, maxim lany seals the deal with a new track called groot feest , which is dutch for big party... go figure!

brightons black key records has won many underground house fans thanks to superb releases from iron curtis, tom ellis, ethyl & flori and others, and is now back with another tasteful offering from cecil. the ep is supported by a remix from berlins matthew burton and kate rathod.

the a1 was never a big surprise. mattias fridell s consumed for profit was one of the tracks of the year, and surely fridell s personal best track, and was played by anyone who at least plays a bit of techno in their sets. the usual fridell quality of standard and a tight synth line! a2 sees french artist electric rescue s quarries in the a. mochi remix. a peak-time banger, slapping the synth stabs right into your face. this one always gets the floor jumping. the b-side kicks off with label-head advance human s pure , stripping things down to some essential moody but slamming techno, right up there amongst his best productions. b2 has +platform s mosses closing things off, and as we came to know and love from +platform, it s out there, dubby and dreamy techno, born for those deeper berghainesque floors.

marshall jefferson, ron hardy & frankie knuckles collaborating across 2 sides of a single 12inch need we say more? obviously that s a dream line-up right there & of course the results of such a meeting of minds is nothing short of outstanding! just listen to the record & you ll see! essential business... -ride the rhythm- came out on trax in 1986, making it one of the -first wave- house records to land & make a massive impression here in the uk & in europe. marshall jefferson s fingerprints are all over this bad boy, his massive piano riffs, non-stop bass-lines, the pounding drums, everything about this record is just huge! he had an incredible knack for making accessible, club tracks with cross over appeal that the underground heads clamored to get hold of at the same time. throw frankie & ronnie (literally) in the mix & you ve got solid, classic, all-time gold on your hands (& turntables!). fully re-mastered, re-pressed & re-released for 2015 in it s original format with the permission & participation of all rights holders with all original trax label artwork intact.

only one listen to the crystal clear rapture in the sound of bodhi shows the funk influenced take on dance music this young duo have to offer. olly howells and luke welsby started producing together 2 years ago but ever since they kept on capturing the right attention. therefore it is no surprise that exploited picked them up to release three uplifting, warm and modern dance tracks.

despite refusing to stick to a single genre, deft is one of those immediately recognisable producers, which is nice because it means we dont have to waste any time comparing him to anyone else. 2013 saw the croydon man skilfully hopping from headphone to dance styles, often within a track, his signature blend of cinematic soundscapes and crisp, intricate percussion covering hip-hop, house, and ambient. whats more, his noteworthy contributions to the burgeoning uk footwork scene means the young producer can now count mark pritchard, dj shadow and rockwell among his biggest fans, and boy does this boy have fans, check this bandcamp review of his project mooncircle ep voight kampff: anything this magician puts out has a pretty good chance of getting you pregnant right in the good old music hole. says it all really

2016 repress , this is right up the alley of those who digged theo parrishs dance of the drunken drums: a hipnotic piano chord pattern sets the tone, while jerry the cat provides smoking live percussion and a walkin jazz bass bops effortlessly. the flipside dives even deeper into jazz territory with a jazz trumpet improvising over quirky percussion sounds.

nebraska is someone who’s tracks we’ve been loving for a good few years now and finally managed to pin him down for a release here on delusions of grandeur. the uk producer is something of an enigma, and despite some amazing releases on rush hour still remains resolutely underground and seems to keep his releases to a minimum, focusing on keeping the quality high rather than flooding the market with average material. once again, he brings the real deal with three drum-heavy warehouse jams to nice-up the dancefloor. aw-right (mute version) sets the tone with a raw house groove that keeps things stripped to the bare minimum. a bouncing bassline and rattling percussion break help to define the track but it’s the dusty, dubby approach to the mix which really makes the track shine. next up we have warp and weft, a similar sounding track but by dropping the bpm’s nebraska has created a sublime low-slung, bumpy groove to really move to. flipping over we’re treated to the brilliant eighty eights which will have you nodding your head like the churchill’s dog before you can say ‘looped up piano and bass one bar groove repeated for over eight and a half minutes shouldn’t work should it?’

jonas rathsman marks the inaugural release on the newly established method white label, a club focused imprint from disclosure ’s method records that will deliver an on-going series of one-off releases available digitally and on a limited run of vinyl. “method white is going to be a platform to release some of our favourite music being created right now, that we feel represents the best of the best of underground electronic music today. we also want to take this further by djing alongside some of the acts who s music we release in our wild life events” - disclosure. jonas has gone a long way to prove his value to the dance music community, his releases on french express and remixes for the likes of london grammar, tensnake, duke dumont and sam smith have established rathsman as a driven and forward thinking producer and dj. with ‘wolfsbane’, jonas introduces the first installment on method white and like the flow er it’s named after, the track is just as deadly as it is beautiful. the track has already been a staple among sets from disclosure, huxley, duke dumont, justin martin and solomun among others with jonas perfecting a mix of dark and light while taking the impact of his drops to all new levels. with forthcoming dates including a six-date foray into north america in february, festival performances to come at bestival, lost village, hideout, parklife and the debut wild life festival in june,there are plenty of chances tocatch rathsman doing what he does best - working a crowd.

taking a few steps off it’s usual housy path, metereze presents a fresh new face and a more techno approach to dance music. it is melodie that signs the 4th installment and he is taking it deep into the realms of acid with 3 tracks that not only go well together but they are all meant to make you move in a big way.
acid sunday is as acidic as the name suggests it but in the end it’s the most poetic of the 3. the subtle pads are kinda dreamy but the 303 sounds make it super driving. on the same side we have rhythmico which is dark, percussive and powerful. subtle background bleeps complete the wandering synth that comes and goes but never really seems to go away.
housed on side b justa is a techno monster in its own right. sonically very close to the other two, this is by far the darkest track on this ep. and probably the strongest. techno infused house you may call it or whatever, this is the kind of track that puts you on a serious move whenever, wherever.

supported by ben klock, dvs1, marcel fengler, minilogue, joel mull, claude young, roman lindau, dustin zahn, speedy j, paul mac, alan fitzpatrick, laurent garnier and many more. we are very proud to present ray kajioka’s debut album “en route”. most of the album was premiered in rays live-set during our 20 years of kanzleramt celebration at berghain. others have been shaped and tested over 10 years to find the right frame to release on an album. our mastering engineer, who is recovering from surgery, said >the album is very therapeutic< and >the work on rays album helped me heal<. this is proof to us, that rays magic on >en route< can uplift your soul, especially in spring.

deep, wayward and utterly groove-notic. optimo trax is starting off 2015 the right way…

2015 repress
the final part in the series of three releases featuring remixes from the acclaimed trus me album treat me right roman flugel heightens the tension of somebody building the groove expertly with delay & a perfect flow. its very much in the style of his fantastic jack for daze release last year. -i want you- has been pumping iron & jacked up on steroids by alan fitzpatrick. rocking some seriously insistent action for the heads down crew this is one for the top of the night.

deep dub techno music - mastered by salz music. with >the tube< the seventh release of the label tiefenrausch awakes – this time out of the hands of biodub. as a reminiscence to the early times of dub, the record comes as 7inch vinyl. in a classical but innovative manner biodub creates a tune between relaxed as well as driving beats and an irresistible deepness. the record presents one track in two different versions. while “the tube” solely bets on the instrumental deepness, “until forever” comes with the voice of ray darwin and disperses a pinch of reggae into the track. the vinyl is decorated with the artwork of alexander ketzer. he created the perfect cover referring to jules verne. 20.000 leagues under the sea – exactly the right slogan for tiefenrausch 007.

the much-hyped traxx compilation from london-based record label needwant is back after a near two-year hiatus. after the critically acclaimed *the house that garage built*, that captured the sound of the scene and called it right with early tracks from disclosure, ben pearce, breach and ejeca, the long anticipated follow up - vol. 2 – *my house is your house* is guaranteed to have you jacking and stepping all through spring, summer and beyond.

we started the classic series featuring tracks that we love, bought, played out and which we have the feeling more people should know about them. for this first edition, it is a great honor for us to welcome such a living legend, a pioneer from the chicago house scene: mr k alexi shelby! at the age of 12 he was already moving in the right circles, befriending frankie knuckles and ron hardy whilst frequenting the famous warehouse. his upbringing in chicago in the 70s and 80s meant that he was exposed to a range of genres and different styles of music including stevie wonder, prince, curtis mayfield and david huff. these same names would prove to be the roots of his influences. this projet includes two classic and timeless moments of chicago house & techno music.

danish deep house talent paxton fettel unleashes three disco-infused house cuts through disco specialists apersonal music.

following on from the previous 2 volumes of high quality disco heat dug from salsoul s legendary back catalog we have here the 3rd installment of selections that were favored by dj-demi god larry levan on the dancefloor of his seminal, game changing nyc nightclub the paradise garage. that s right, high quality disco, boogie, funk & more is the order of the day here with prime-time hits flawlessly rubbing shoulders with underground cuts in a way that mirrors levan s open mind & faultless ear for music. his elusive early 80 s remix of jimmy castor s perennial b-boy jam -it s just begun- sits comfortably alongside essential tracks like skyy s club classic -here s to you-, inner life s anthemic -moment of my life- & orlando riva sounds trippy -moonboots- among many others. this is an essential release for those who dig the disco sound & want to have all these incredible records in one place, or for newcomers who wish to explore the sounds & vibe of one of the greatest dj s of modern times & who want to get down to some of the tracks that have shaped modern day club culture. re-mastered, re-pressed & re-released for 2015 in full conjunction with salsoul records new york city.

yet another solid soul/funk/disco nugget lifted from the vaults of miami s cat records (another t.k. disco subsidiary).
often sampled, re-edited & re-jigged but never bettered! gwen mccrae s all time classic * all this love im giving* finally sees a timely repress, just as god intended, on a dinked 45 with all original artwork intact! thats right, you may recognize this number from cassius 1999 hit * feelin for you* but this track has long been a staple of rare groove dances & sophisticated soul parties with discerning djs & selectors clamoring for the original 45 at any cost.
backed here with its original b-side slow jam * maybe ill find somebody new* this rare 45 has been re-mastered, re-pressed & brought back for 2015s dance-floors in conjunction & with the permission of t.k. disco / henry stone music, miami usa.

the bodyjack label returns with a bang and a split ep with the man himself and fresh talent soundbwoy killah. hot on the heels from ep s on unknown to the unknown, his clone co-run bodytrax label and a remix for jimmy edgar s super hot ultramajic, bodyjack is on fire right now. not much needs to be said about this, other than shake that ass is an unapologetic main room banger with a rough bassline and cheeky vocal. also comes with an instrumental version for the heads. soundbwoy killah has been turning heads this year (if you have heard his cheeky edits online you know what we are talking about). this brand new artist drops us 2 of the rawest jungle-fused underground party trax you ve heard this year and this is just the start for this bwoy...heavyweight tracks for the floor from the bodyjack crew. support from: jackmaster, james zabiela, claude von stroke, huxley, eats everything, shadow child, la4a, monki, serge, tiga, dj haus, serge and many more.

after their debut on vakant we present you cw/as next offering, day of riddance. feeling right at home on parachute with its lack of genre-defining ties, the record features 3 road-tested live extracts alongside remixes from stroboscopic artefacts head honcho lucy and ilian tape boss dario zenker. cw/a is the live project from long-time friends and studio partners thomas (avatism) and francesco (clockwork) originally a live amalgamation of their solo material, it eventually evolved into a broader, more dynamic improvisa- tion-centric performance focused on experimenting around the outskirts of techno, jungle and electronica. we hope this release gives you an insight on both our vision and cw/as: a barrier-trashing wall of sound that goes from live settings into the studio and back.